Remember in 1993 when Jurassic Park was like…the end all, be all of special effects?
not gonna lie that still looks intimately real
I’m still somewhat convinced that someone sold their soul to create the special effects in Jurassic Park because that shit is over 20 years old and it still really, really holds up, better than the stuff in a lot of current movies, even.
Fucking witchcraft, man.
fucking look at this shit though
Literally see this post flying around with a few different responses added to the bottom each time so I’ll say it for this one myself:
THEY ACTUALLY BUILT A GIANT MASSIVELY DETAILED FUCKING ANIMATRONIC T-REX FOR ALL OF THIS THAT’S WHY THE EFFECTS ARE SO GOOD. CAUSE IT AIN’T CGI. AND IT AIN’T GUY IN A COSTUME. IT’S A BIG FUCKING ROBOT DINOSAUR. AND EVERY PART IS DESIGNED TO MOVE. IT COST LIKE HALF THE BUDGET OF THE FILM.
amazing
And they had the film it in small increments, especially in the outdoor scenes, because the rain fall kept soaking into the ‘skin’ of the rex and would slow down and mess up its movements. So they would stop filming and have a crew out there drying off this massive, fake dinosaur, and then they’d start filming again until it was too wet. Repeat until the end of the scene.
They used animatronics and detailed costumes for most if not all of the dinosaurs in the first movie.
The triceratops for instance, was also animatronic.
One of my favorite anecdotes I’ve read on tumblr is how the t-rex robot from Jurassic park would malfunction while it was drying out. How did it malfunction, you might wonder?
Motherfucker randomly started moving.
So apparently if you were on the jp set you would sometimes hear people screaming bloody murder even though they were all well aware that it was a giant animatronic puppet and wouldn’t actually, you know, eat them.
Did not know this, had to reblog for awesome movie history insights.
So, I knew about the animatronics bit but I did not know the raptors were guys in suits and the malfunctioning t-rex sounds terrifying.
And i just googled malfunctioning t-rexand was not disappointed. Apparently in order to put the skin on over the steel frame a guy had to crawl inside thet-rex while it was turned on and glue the skin down. And if somebody turned the t-rex off or the power went out the guy in the t-rex stood a very real chance of getting mangled and killed by the hydraulics.
So of course, the power goes out.
And this guy is still in there gluing the skin down.
Apparently the way to survive getting sheered to death by huge sheets of metal while you’re inside a giant t-rex robot is to curl into a ball and hope for the best.
And this guy hoped for the best and got it.
Some other people on stage pried open the t-rex jaws and glue guy crawled out of its mouth and was totally okay.
This is getting better and better.
I think they only had like 6 minutes of CGI
I’m just waiting for the T-Rex to come to life and leave its stand.
The thing about this that gets my special effects nerd going is the fact that EVERY single dinosaur was sculpted by artists based on the current existent archeological evidence of the time.
Even better than that, this movie ADVANCED our best understanding of dinosaurs at the time. They were blowing out a budget bigger than anything Hollywood had ever seen, and along with employing almost the last hurrah of incredible physical FX, they had a bank of those newfangled digital SFX computers. Nobody’d ever really created convincing dinosaurs in a movie before. It’d all been stop-motion animation, and even when the models were exquisitely crafted, you could just tell there was something OFF about them. Spielberg wanted THE BEST DINOSAURS EVER, and he figured on using the cutting edge of digital modeling and animation technology to build them for him.
So they got hold of some of the best paleontologists they could find and said, “We want you guys to take this tech that your labs could pretty much never afford and use it to build us the most realistic, accurate dinosaur models the world has ever seen.”
The paleontologists knew an opportunity when it bit them in the ass. They plugged in everything they knew about dinosaurs, all the skeletons and their best guesses about soft tissue and all that. And when they’d created those dinosaur models, they had the computer start moving them as they realistically would with anatomy like that. One guy took a look at those walking t-rexes and velociraptors (really utahraptors, but whatevs, fam), and he said, “Wait a minute, I’ve seen movement like that before.”
He called up film of a chicken walking. Everyone in the room said, “Holy shit.”
Prior to 1989, the idea that birds were descended from dinosaurs existed–we knew about archaeopteryx, we knew there was some minor connection there–but the idea that DINOSAURS LIVE IN THE MODERN WORLD AND THEY ARE CALLED BIRDS was not pre-eminent. Jurassic Park changed our scientific understanding of dinosaurs.
That paleontologists’d be Kevin Padian. Who is awesome.
I think what fucks me up the most is that each passenger paid at least $250,000 to be in that submersible. And ultimately, as billionaires, that’s like. A percentage of a percent of a percentage of their wealth. It’s like a trip to Starbucks for people like me. There is not a single person in my life whose existence would not be monumentally changed for the better in ways they probably can’t even imagine by having $250,000 accessible to them. And these dudes handed it over to go die in the ocean in a tin can piloted by a video game controller in some kind of fucked up deep sea Major Tom situation
I mean, those 250.000$ did change their lives. I get what you mean, but their lives did change a lot since they took that trip.
You know what? Fair enough. I cannot argue with that.
had a surreal experience at work this morning. i was the only person on the floor when we opened and a customer came over and was like “do you mind if i ask you for help with something?” and when i jokingly said “i don’t think you have much of a choice to be honest” he replied “we always have a choice” and then we both just stood there opposite each other like rival wizards of light and dark for several moments.
There’s a reason the state starts by going after the people you refuse to respect
Fuckin iowa jesus christ. And fucking republicans in general
Please notice that the wording they use has shifted from “marriage between one man and one woman” to “marriage between one male and one female”. This is not a coincidence. GCs and terfs have no excuse to not see the blood on their hands.
genuinely obsessed with the grimace milkshake meme I hope it’s got the McDonald’s marketing team locked in a board room biting their nails desperately trying to figure out if this is positive press or not
So apparently another whole ass animated scooby doo movie was canceled, this time featuring Krypto the Superdog, but it leaked onto 4chan and was uploaded onto the internet archive
That first image is an edit of HUGZzz by Irene Strychalski. She’s improved tremendously in the past nine years, and you can see her current work on her tumblr, reniedraws! She has done backgrounds for Archer and Unsupervised, backgrounds and character designs for Chozen, and pencils and inks for issue #1 of Deadpool Family. She’s currently making a webcomic called Shaman Child. Here’s some of her current art:
As for the anime girl in the plaid skirt, I braved the hellscape that is early ‘00s anime websites, exploring endless gif-covered Gaia pages and vampire-filled roleplay forums, traveling across seas of unsourced DeviantArt edits and low-res hentai, to discover that she is an original character by Hiro Suzuhira. She has done work for Shuffle!, Ef: A Tale of Melodies, Akikan!, Phantom Breaker, and We Without Wings, among many others, and she is also a prolific freelance illustrator. Here are some examples of her art:
[Image ID: Tweet from verified user Laura Jane Grace (@/ LauraJaneGrace) reading: I don’t trust anyone who things the gender they were assigned at birth is an inescapable biologicals truth. They demonstrate a complete lack of imagination and subservience to bureaucracy /End ID]